Tag Archives: indie

How can I show readers that my stories are well written and edited? A Quora Question

Since Quora likes to collapse my answers in an effort to keep me quiet, I’m copying and pasting some of the Quora Q and A’s in which I’ve participated. Here’s a question from Quora.

writer editor

Question: With all the terrible self published books on the market, how can I show readers that mine are well written and edited?

 

Answer: The same way you sell your self published books…build a fan base. The question then is: How does one build fan base?

In the last post, I touched on the signs of a bad publishing contract, and I added that some of the smaller presses don’t really employ editors. Editing is a huge part of becoming a successful novelist, which is obviously why someone cared enough to post this question on Quora.

Since I’ve been through the ringer, let’s assume the writer in question is myself—it isn’t, but that’s not the point.

 

I did start off incorrectly with my career, so when my first books were released by Eternal Press, not only were they not properly edited (even though EP employed “editors”), but I had no fans to purchase my books!

First, I thought EP was going to market my books, and that’s a tale for another time, and no, these books weren’t truthfully “Self published books”, but they were treated as such. I’ll explain.

 

Here’s what I did after publishing through EP, and after hiring numerous editors and actually landing a good one who taught me what editing is: I rewrote everything I had ever written, which included my short stories. This way I also had the chance to really apply the principles of proper editing, and pit them against unedited, or improperly edited, books.

 

I showed pieces of those short stories in their original form on my blog, and then I showed the rewritten segments. I also re-released those short stories, for free, with new covers and blurbs to Smashwords.

 

Without even promoting those stories, since they were free, people downloaded them, and people learned that my work is edited.

 

I also published a fanfiction novel to fanfiction.net, a site where serious readers are looking for serious authors to write new material for an existing franchise. My Skyrim fanfiction, also free, did well on fanfiction.net, and I also published, for free, to Smashwords, and since it passed the premium catalog, it is also available through all online retailers (with the exception of Amazon, which I don’t use anyway), so people can download my fanfiction and learn that my writing is properly edited.

 

After building a fanbase through free short stories and fanfiction, I released new novels. Usually, when I release a new novel, I make it free for the first month so my current fans don’t have to spend money on my new work; this also gets me a few more new fans.

 

At this point, everyone knows my work is properly edited because numerous people have been able to download my work for free, and I now have a substantial fan base; the two went hand-in-hand.

 

It is imperative that an indie author hires an editor, a competent editor, but it is perhaps more important for an indie author to amass an extensive fan base before publishing their first novel.

 

A fan base can be built in numerous fashions, but I suggest building a fan base as a reader who dissects and reviews all kinds of books (mainstream and indie). Other readers will take your critiques seriously, and you will build a fan base of actual readers that way, (not just other writers) plus you can actually sell Smashwords books while doing this, thus learning how to sell books along the journey. Then, once you have a fan base, you can begin showing your fans that you, too, have written something.

 

Use your blog; release your entire novel one chapter at a time, and show people how you edit. This worked splendidly for Chris Paolini. You can build a huge fan base through fanfiction. That was how E. L. James rose to stardom, right?

 

The truth is that anyone with even a half assed idea for a story, even an uninspired idea, can rise to witness mega fandom; build a loyal fan base before writing a debut novel, hire a competent editor, engage avid beta-readers, release tons of short stories, and other free bodies of work, and just work hard everyday.

 

You can learn about selling books through Smashwords here

 

You can learn more about proper editing here:

Editing One Shot by Lee Child

Less is More

Structure

Don’t forget to follow my blog on Quora where I talk about all kinds of things reading, writing, and editing, as well as some other stuff, too.

 

What are the signs of a bad publishing contract?

Since Quora likes to collapse my answers in an effort to keep me quiet, I’m copying and pasting some of the Quora Q and A’s in which I’ve participated. Here’s a question from Quora.

writer editor

Question: What are the signs of a bad publishing contract?

Answer: It depends on what the meaning of bad is….

 

If a writer is offered a contract from a traditional publisher—a major publishing company like Penguin, or even a smaller company like Baen—all contracts will be fairly standard; advances, 5 years service, 25% royalties from print copies, maybe 33% to 50% from e-book sales.

 

A writer will be offered a reasonable advance from a large company; the advance is based on the projected sales of the book over the course of 6 months, sometimes it’s longer, and even though the writer is generally contracted for 5 years, if the book does not sell, the publisher has a right to release the writer; that is the end of your career in the mainstream publishing industry, period.

 

A smaller company will offer a smaller advance, if they offer one at all, but they won’t usually cut a writer free for failure to sell, although they may choose to not renew the contract after 5 years.

 

There are other kinds of contracts, ones from presses who claim to be mainstream publishers or even indie presses, and they are not. Here are some things to scare a writer off.
If the publisher demands a fee, run.

If the publisher wants you to do anything more than write, run.

If the publisher wants you to crowdfund the money to publish your book, run.

If the publisher wants you to promote the books of their other authors, run.

 

Most “indie publishers” are little more than three people publishing through Amazon and CreateSpace anyway. You can do everything they do on your own and keep all your money.

 

I went through an indie press that seemed reasonable, but they then charged $7 for my ebooks; how in Hell was I supposed to sell with my prices that high?

 

They never got me any reviews, they failed to edit my work properly—the biggest no-no—and they even “lost” my contracts.

 

There are real indie publishers like Baen Books, Rocking Horse, and Edge, so if you’re unsure about the publisher you’ve approached, research the company; when were they established? How many employees do they have? Which books and authors have they published? Then, track down an author, through their website or Twitter, and talk to them. Ask them how they like working for that publisher.

 

The basic premise to stand by is the following: If you can’t land an agent, you won’t land a publishing contract with a real company. If you want to land a contract with a mainstream publisher, learn how to land an agent; they’ll do the rest for you.

Be sure to follow my Quora blog for more information

So you want to be a writer part 5

 

Part 5 – The early social media presence

Welcome back to this series of posts about becoming a successful writer. As always, the most important concept to consider is the consistent and continuous release of quality content, and we’ll talk about how to improve the quality of content as we progress, or if you prefer, you can just hire an editor.

The last post discussed building and selling your brand, something you do regardless of which publishing route you take. The question then becomes, how does one get people to notice a brand?

Remember, your brand is you; you are selling yourself, so go out and be yourself. The world today has opened the door for all of us to do just that. We can do live videos on FaceBook. We can upload YouTube videos. We can tweet, share content and comments on Google+ and LinkedIn, we can blog on our own sites, on Quora, Medium, write stories to Wattpad, Fanfcition, and Quotev. I mean, c’mon, the opportunities are endless, but as has been mentioned, it’s important to connect with readers. If all you’re doing is following, retweeting, and sharing with other writers, you are not connecting with readers.

This brings us to another big, big, mega, huge misconception. Just about every writer out there, who is not published by a mainstream publisher, thinks they can pool their resources with other writers. They think that they can give their fans to their fellow writers, and get fans from their fellow writers.

Wrong. Man, is that ever wrong.

Does Burger King share consumers with McDonald’s? No. They compete. Does Citgo share their consumers with Shell? No, they compete. Does George Martin hold a blog tour with J.K. Rowling? No! Not even their publishers set up such things. Why? It doesn’t work.

Don’t believe it? Go and follow the mainstream authors and publishers, and look at their tweets, posts, and updates. Go look at their websites. Regardless of whether or not you think their published content is any good, it is an undeniable fact that the mainstream publishers and writers sell, at least on average, better than indie or self published writers, which means that their business model works, and their business model does not involve banding together.

They compete, and they promote competition. Perhaps no quite so intensely as Nintendo and Sega did in the past, but Simon and Schuster is not trying to give fans to or get fans from Penguin Random House.

Here’s the deal; before you are published, you do want to work with other writers, not to try and share fans—thinking that if that writer sells books, you can get their fans to buy your books—you engage with other writers just to view writing from a different perspective. Look at their brand, read their voice, check out their book covers, blog formats, etc. There’s a ton of stuff you can get from other writers, but you are not trying to get their fans, or pool fans between one another. The consumer world just doesn’t work that way, and as a writer, you are also a businessman, and you have to understand business.

Another factor of business is social media. As was stated earlier, the world has opened itself up to social connections, but you have to be…wait for it…sociable.

Retweeting, and setting up auto tweets, and auto posts is the wrong approach. It is certainly a time saver, but you should not be spending the bulk of your time on social media, or even promoting your work, anyway; you should be spending the bulk of your time reading, writing, editing, and discussing topics—connecting with humans as a human.

Be sociable. Engage with other readers. Right now, before writing your novel, make an account on Goodreads, FaceBook, Google+, LinkedIn, Twitter, Quora, Reddit, Medium, and have your own blog. Go to where the people are discussing topics you like.

Maybe, you like The Elder Scrolls. I do. I went and conversed with people who enjoyed The Elder Scrolls, and I just talked about the video games. I did not immediately try to monopolize the posts by telling everyone to drop what they were doing and come read my Skyrim fanfiction. I acted like a human being, and I discussed whatever the particular topic was. Then, when the opportunity presented itself, I let people know that I enjoyed Morrowind, Oblivion, and Skyrim so much, I went and wrote a fanfiction. I added that if anyone was interested, the link to the free book was available, and it worked; people came to read my story.

Maybe you like HarryPotter. Believe it; plenty of people are talking HarryPotter. Join groups dedicated to HarryPotter and discuss. Then, when the opportunity presents itself, you let people know you are also working on a HarryPotter fanfcition and would love some feedback.

This is how you benefit from social media. People think that they should use social media to send out an update from their blog, or send out a link to a buy page for a book. There are times to do that, but releasing those kinds of posts on a regular basis is not what sells books. It just doesn’t work that way.

Think about it. If a new, mainstream author emerged today, and you are on Twitter, and you see a retweet from someone you follow, which states: @JohnPWriter visit http://www.jpwriter.com for my new book: Mars Raiders, are you going to run out and buy the book? Why would you? Are you even going to click the link to see what the book is about?

Here’s the bigger question; what are the odds of you even seeing that tweet?

If you start your social media presence now, before writing your debut novel, you’re selling yourself, that’s all you’re trying to do. You are creating an online presence, and people will take you seriously because you are a real person who is interacting with other, likeminded people. Then, as you write your short stories or fanfiction, you can kindly, kindly, ask people to come look at your work, but only if the opportunity is there.

The great thing about a lot of social media sites is that you can ask the question. Something along the lines of the following makes for a great opener: I want to write a Harry Potter fanfiction, can someone provide me some feedback? Don’t expect everyone who likes HarryPotter to rush on over to your question and answer it, but don’t be surprised if people are interested either; everyone likes to talk about themselves and what they enjoy.

A great tweet might also read: @JohnPWriter I’m trying to finish my #HarryPotter #Fanfiction, all comments welcome visit http://www.jpwriter.com Thanks

Social media is extremely important, but 90% of writers are using it incorrectly. These posts, however, have not been designed to teach you the intricacies of using each social platform. There are numerous books written by numerous people, and everyone has their own take on how to optimize a Twitter presence, or a FaceBook author page, or a Google+ brand page. Feel free to buy those books, just be sure to check out the one and two star reviews, not only the five star reviews.

What needs to be considered is that, empirically speaking, if you send out a tweet, which has a shelf life of about six seconds, and that tweet states: http://www.jpwriter.com come check out my new #HarryPotter #fanfiction. No one is going to pay attention.

I can prove it.

Find your favorite, indie author who is claiming they’re earning a five figure income per month, and look at their tweets. Then, look at how many followers they have. They may have a million followers, but then look at the number of likes and retweets each tweet gets. For FaceBook and other platforms, look at how many likes, shares, and comments they have. In all likelihood, it’s very few.

On the rarest of occasion, you may come across the one person who is getting mass likes, retweets, shares, and comments, and if that’s the case, they have built their brand correctly, and in that case, you should scrutinize their tweets because the working formula is in there somewhere. Most people are trying to use social media to get people to view their book or website, when they should be using their book or website to get more followers. Most writers have it backwards.

I’ll be totally honest, I have few followers on Twitter, and I don’t use FaceBook; in the end, the numbers matter very little. Don’t believe that either? Go look at Penguin Random House’s Twitter account. Look at their tweets, and see how many likes and retweets they have. Look also at how many tweets they send out per day. Read their tweets carefully. You won’t see what you expect. They certainly sell books, though, don’t they? Social media numbers mean very little.

Here’s the math: if you send out a tweet with a shelf life of six seconds, very few people will see it unless it is consistently retweeted regardless of how many followers you have, but let’s assume that one million people see this magic tweet over the course of a day. Out of one million views, if no one retweets it—or even if it is the retweeting which garners this magic tweet one million views—out of those views, maybe 1% of people will be interested enough to click on the link. That means that only ten thousand people will view the linked page. If that page is a buy page on, say, Barnes and Noble, how many of those people, those ten thousand, will be readers, people looking to buy a book? How many will be people looking to buy a book of that genre, by you, a virtually unknown author?

How many people will be interested enough to look at the title, cover, and blurb? Maybe one percent? That means that of that ten thousand, one hundred people are likely to buy the book.

Hey, one hundred sales isn’t too bad, though, right?

Let me tell you; unless your tweet is magic, your tweet isn’t going to get a million views. Think about it. When you’re on Twitter, or which ever social media outlet you prefer, how many posts do you scrutinize? How many have links to pages? How many of those do you actually click? Where do you usually wind up? A website? A blog? How much scrutiny do you give then? Have you ever actually bought a book explicitly due to a Tweet? A mention on FaceBook? A post on LinkedIn?

Are you with me?

Social media is not used to sell books or even drive traffic to your site. Social media is used to engage, sociably, with likeminded people. King and Martin have a mess of followers on Twitter because people already know those guys exist. People—fans—will follow you after visiting your site, downloading your free, short story, reading your fanfiction, or purchasing your novel, not the other way around, so you have to understand what social media does; it gives people a chance to talk, to talk about what they enjoy, and if people enjoy reading the fantasy genre then talk to those people about the fantasy genre.

Yes, you do want to Tweet and post updates, which you have made to your blog or website, but if that’s all you do with social media, it won’t get you the results you’re expecting. Why would anyone want to retweet such a thing? What is there to entice someone to click on the link? Who cares that John P. Writer just released a new, blog post entitled: fat cash for fast cats?

Also, if other writers are consistently retweeting your tweets, won’t they be missing out on potential fans or sales? If you’re constantly retweeting other writers, won’t you be suffering the same? Well, yes and no; as was discussed, you aren’t getting sales from tweets anyway, but you’re definitely losing out on attention, so there will come a time to distance yourself from other writers, and we’ll dive into that a little bit more later on.

What is important to understand is that social media does not sell products, but it can certainly sell a brand. That brand is you, so be cute, be funny, be accessible, be present. You like cats? I love cats! Post cat memes, pictures, gifs, and videos to your social media accounts. Then, find a way to relate cats to your writing, book, blog, or site.

You can easily make a cat meme with your website on it. No, it won’t be a clickable hyperlink, but people will still see your website, or perhaps, the title of your book. Make a cat meme that says: Grumpy catwuvs Mars Raiders. Don’t you wuv grumpy cat?

Yes, it’s absolutely stupid, but it creates a mental link, a connection. People will associate something they know and love with something unfamiliar. After someone sees grumpy cat wuvving the title of your book or website a half a dozen times, they’re going to get curious.

Own a cat? Sweet! Snap a pic of your cat sleeping on your laptop, and make claims that Mrs. Whiskers if feeling left out because you’ve been writing so much.

Feel me?

This is business. This is marketing, and you can use social media to market your brand, but you cannot use social media to get new readers and sell books by simply auto tweeting: come check out my new #fantasy #adventure The Ring of Lords.

Yes, as with everything else, this is time consuming, and there are numerous variables, which you must calculate specifically for your title, audience, genre, etc. Social media is a powerful tool, but even the best Phillip’s head screwdriver is useless if all your screws are flatheads head, right? You have to use the proper tools properly, and I promise you, the number of followers you have on Twitter or any social media site does not equate to the number of visitors who will spend time on your site and subsequently buy your books.

So what sell books? Quality content and people. If people like you then they like your brand. If they like your brand they will discuss it with others through their social media accounts. This is why you haven’t written your novel yet. You are writing short stories and giving them away, so that you can learn what your audience likes. Then, you will write your fanfiction, and give that away, too. Then, when it’s time to write your novel, people will already be waiting for it. You will already have a better understanding on how to improve the quality of your writing, too.

It sounds like a great deal of effort. It is! It will pay off, though. Engage people who already enjoy what you enjoy. Build connections. Build your brand. Release quality content, and then people will sell your content for you.

You can’t possibly sell thousands of copies of your own books, but if you sell ten copies, and your fans talk about them, thus selling more copies, and then everyone is selling tens of copies of your books then suddenly everyone is buying your books. People, consumers, fans sell products, not social media.

Thanks, you guys have been great. I’m going to be releasing one more post in this series, so stay tuned. If you’re interested in learning how to improve your content, read any of my “Editing” posts. Also visit the Editing Services tab.

Be leery of millionaires- a tip to indie writers

You’ve written a book! Congratulations, you’ve just accomplished the biggest step towards a successful indie writing career, but wait; you’ve been published for six months, and you’ve only sold two copies of your e-book. You joined all the prominent communities on Google + and a plethora of groups on Linkedin. All the people you speak to say they’re best sellers; they sell several copies of their books everyday; they’re rich and only work day jobs because they want to. They make hundreds of thousands of dollars off their one book, and you want to as well, but no one gives you a straight answer on how to do that. None of those rich indie writers can tell you anything more than “I do signings at my local book store”, or “I sell dozens of copies every time I do a signing”, or “I just Tweet about my book, and everyone buys it”, yet there you are with your two sold copies.

What went wrong? Nothing. Those other people are lying to you.

Here’s the truth; you’re doing just as well as everyone else, maybe even better. Take a look at the math.

You publish one e-book to Amazon’s KDP select at $.99, which yields about $.35. If you sell one copy, yes, just one copy, every day that’s 365 x $.35 = $127.75 per year supposing you do sell an e-book everyday, which would put you in Amazon’s top 100 easy, and if you follow up on those other writers, you’ll see their book–or books–is somewhere in the millions range. That means they aren’t selling one copy every day, much less enough copies to hit 5,000 a year to be a real best seller.

Certainly, they may have 400 5 star reviews, but they get those by trading their e-book with another author, and each author gives the book a 5 star review for a 5 star review, an abhorrent practice as it makes readers think they’re buying a quality product when in fact it’s barely mediocre (always read the couple of 2 star reviews the authors have for a real look into how good the book is. Those are real reviews by real readers).

Well, gee, that does sound awful, but I don’t care about that. I want to know how I can make a living off $127.75 a year. You can’t. You have to write more books, yet to even break $10,000 a year, on which you still cannot earn a living, you must sell about 80 e-books every day, so if you have written 80 e-books, and you sell one of each of them every day, you can make $10,200 every year.

But those rich, best-selling, indie authors don’t have 80 books. No, they don’t, further evidence that they’re not telling the truth, and it’s this that leads me to question Amanda Hocking’s success, but I’ve written about her before; she has several traditional print contracts with imprints from larger companies. Even James Crouch has a literary agent.

I don’t have contracts or an agent. Why do people become indie writers if they can’t make a living, and why do they lie?

Well, crazy people do crazy things, and I’d like to believe that an indie writer can make it big. I’ve talked to some writers that seem successful, and I stay positive and force myself to believe that it can be done because I need to believe that a self made person can be successful, but if you’re writing in the hopes of getting rich, you better pander to the masses, hire a team of professional editors, and write the next big book-to-movie product or you’re outta gas. Indie writers write for themselves and for the fans, which means you need to release a perfect product all on your own and abstain from trading 5 star reviews with other authors for 5 star reviews. You need to get real reviews from professional reviewers, so readers won’t be disappointed in your product and write a revenge review- an evil review to deter everyone else from even taking a chance on you.

But that will cost upwards of a $100 or more! Yes, it will, so write for the sake of telling the story!

Now, I’ve read Linkedin posts about authors who travel the country and sell print copies of their books. Let’s take a look at the math again.

A print copy of a full length book–300 pages of a 9 by 6 copy–can be priced about as low as $10  from which you’ll only make about $3 after someone makes a purchase via Amazon, so selling those at one copy per day for a year gets you $1,095, which means you need to sell about 10 copies per day, or have 10 print books available and sell one of each every day for $10,950 per year. These authors, who are supposedly showing up at places across the country, talk about buying their own copies, traveling, booking a venue, and selling their books to people. The cost of buying your own books and traveling can be astronomical.

One author purchase of a print book is half of the price, so $5 per book if it’s priced at $10, which you then sell at $10, unless you jack up the price because its signed, so we’ll even say $15 per book. How many books would you have to sell to make up your losses; that is, the cost of buying the books, traveling, and booking the venue? While you’re doing this, you can’t work your day job, either, so how much are you losing there? If you buy 1,000 print copies, that’s $5,000 dollars! Then, you have to travel the country, book hotel stays, book a venue through which you can sell and hope that people show. If you sell all your books, which won’t happen until after you’ve spent years amassing a fan base, at $15 per book that’s only $15,000 minus the $5,000 of the books purchased, which is only $10,000 minus the travelling expenses!

Don’t buy into the guff! Please, please, please don’t buy into the guff. The cold truth is that most indie writers, ones who have been on the market for less than 5 years, are probably selling one book a month, maybe less. It takes a great deal of time, effort, and money to promote your book.

This isn’t meant to be discouraging, on the contrary, it should be uplifting to know that you aren’t doing any worse than anyone else. The trick is to keep at it.

Also, get away from promotions with KDP select, which prevents you from publishing elsewhere. In fact, you may want to rid yourself of Amazon altogether; check your sales and payments, and double check your Kindle Pages Read. I promise you, Amazon is stealing from you.

Buy 5 or so print copies and do giveaways on Goodreads, blog about your books, your writing, your life. Learn the intricacies of editing and sell your services to others, but for the sake of the readers, make certain that if you do do that (heh, do do) you understand what editing is.

You can learn more about editing here.

So, to answer your question; how can I make it big? The truth is that without an agent or a big contract from a major publisher, you’re looking at peanuts, but still, writing 80 books and selling each of them every day isn’t that daunting…well maybe it is….

Write because you love it, write because you have a story to tell, write because you want readers to enjoy a mental vacation, and all the while, hone your art. You should want to break into the mainstream world; there’s nothing wrong with that.

Stephen King is a big time writer, yet he also self-publishes his own books, and he writes from a small indie press, too. Do it all. Stay positive. Keep looking for new and inventive ways to market your writing. Do what others haven’t, but don’t listen to the guff, don’t get discouraged, and if you do find someone who says they’re doing phenomenally well, have them prove it then ask them what they did.

I wanted to copy Amanda Hocking’s meteoric rise to indie stardom, and that’s how I learned a lot of this information.

So far, everyone I’ve looked into, every indie writer that is, has not become successful on their own; they have had help from editors, publishers, agents, professional marketers, etc.

Today, everyone and their mum writes books and publishes to Amazon, and some people even publish through an indie press like Del Ray, but even then, even with a renown indie press, you’re still not going to see a book sale everyday, so it takes a gargantuan effort to be a youngish, quit-your-day-job, indie author, and if you are one, or you know one, talk to me. I’d like to see some real proof and hopefully a marketing plan because I want to make it big, too.

But wait, don’t some authors get advances?

They certainly do, but the advances from an indie press are somewhere between $100 and $5,000 dollars, and that’s cash that they have to earn back before you start getting royalties, so if you do get the advance, but fail to sell enough copies to recoup that advance, you don’t get squat after the advance!

As a final note, if you are an indie writer, please do your best to release a perfect product; don’t help flood the market with mediocrity. It’s bad for business, it’s bad for the indie writing name, and it’s bad for the readers. It’s these bad practices that send people running when they see the word indie before the word writer, and then they end up buying the mainstream crap that’s peddled today, and worst of all for you, when an agent or publisher sees that you’re an indie writer, they won’t touch you unless you can prove thousands of sales.

Be honest, be positive, and do your best. Thanks.