Tag Archives: fiction

Eudora by Aaron Dennis

Are we not all taught who we are supposed to be? What if who we are conflicts with who we want to be? She was taught to be Eudora, but she must be something quite different.

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Things have a funny way of working out. The irony is that no matter what one does, how hard someone tries to become something, to make something of oneself, those forces at large have a way of putting things back the way they were, the way they were meant to be. Eudora was no exception.

It was a balmy day. The sun was setting. Eudora, with her abnormally large teeth, thick rimmed black glasses, pasty white skin, stringy, black hair pulled back tightly—save the bangs; they hung loosely to either side of her face—she was not the image of beauty. Her big, blue braces moved up and down as she spoke. Maybe it was the braces, or the big, fake teeth in the front, but she spoke like her tongue was too big for her mouth.

They sat on the hood of the old, gray Cadillac, Eudora and her friends. They weren’t her friends of course, but she didn’t understand the difference. They were Charlie’s friends. He was her younger brother. They were quite a few years apart.

“You should just go ask him, Eudora”, Patty said. She was a tall, strawberry blonde with a light tan. “He’s been giving you the eye all day.”

“I can’t do that. I never even said hello to him before. He’ll just laugh at me.”

Eudora’s response was more out of knowledge and certainty than sadness. Sadness held no real meaning for her.

“Well, whatever, it’s not like he’s got anyone anyway. Larry ain’t exactly prince charmin’, is he?” Joe sniped.

He was Patty’s boyfriend, but not in the traditional way of family values. This time it was the 70’s, but before it was the 70’s it was just a dark basement with nothing to do, but scratch at the walls. People in the 70’s were a concept Eudora was unable to grasp—Eudora isn’t from this time; she isn’t from anytime, really….

Charlie was coming home from work. He was trying to make enough money over the summer to apply at the local, community college come winter. His grandfather helped him get a job at the mill, and Charlie was learning all sorts of things; how to work the lathe, the planer; he smoothed boards like it was no one’s business, but these things didn’t interest him. He, like his sister, was born in one life, but was learning to become someone else.

College was his ticket. He’d turn from a sweet, country boy to a calculating businessman, or that was the goal anyway. Unlike his sister, he was dark and fair haired. Most people never guessed they were family, except they shared their grandfather’s features; slim nose, big eyes, blue, all three of them.

Charlie pulled up in his Ford pick-up alongside the Cadillac. Dust kicked up. Joe and Patty covered their eyes and patted themselves off. Not Eudora, maybe it was her glasses, maybe it was something else; she never made an effort to dust herself off either. She just looked at her brother. Her oversized pearly whites and blue braces showed as she grinned.

“Hello Charlie,” she spoke with that chunky tongue.

“Heya’, Dora,” he replied and smiled back. “I saw Larry leaving. Did you say hello?”

“No, Charlie, maybe I see him tomorrow.”

“Well,” he was pensive. “Maybe we should have him over for dinner tomorrow. You and Gramps can whip up something nice.”

Is Star Wars considered American science fiction or British science fiction?

Since Quora likes to collapse my answers in an effort to keep me quiet, I’m copying and pasting some of the Quora Q and A’s in which I’ve participated. Here’s a question from Quora.

This is another instance where the question seems like it has nothing to do with reading, writing, or editing, but hold on to your speeder!

Question: Is Star Wars considered American science fiction or British science fiction?

Answer: Well it’s the abortion created by Spielberg and Lucas, so it’s American.

Now, allow me to dive headlong into the Rancor’s pit.

Star Wars is hardly science fiction. What constitutes science fiction? High tech? Aliens? Space battles? Sure, but don’t those things usually require some explanation? How do the aliens’ bodies work? What kind of engineering is involved in a death star? Don’t different planets with different atmospheres have differing gravity? Doesn’t anyone require a space suit? Even while piloting their ships in the far reaches of space, no one wears a helmet with breathing apparatus, do they? I just don’t think Star Wars qualifies as science fiction.

Star Wars is about a guy who uses a sword and casts magic spells with his mind. If it’s anything, it’s sci fantasy, kind of like the Final Fantasy video games. There’s nothing wrong with the concept or genre, but I’m not done bitching yet.

If Luke could, theoretically, use the force to lift a ship “only different in your mind” then why not use the force to knock Vader into that duct in cloud city?

Why not use the force to blow the emperor into that other duct?

The whole franchise is rife with poor writing, poor, poor writing.  It’s so totally uninspired, and filled with plot holes, and I don’t understand why people like Boba Fett.

He did nothing. Han was already frozen in carbonite when Boba Fett took him aboard the ship, and then blind Han hit him in the butt, and it killed him.

Boba Fett was utterly useless.

All of this ties into the principles of story telling, whether we’re discussing a movie, a show, or a book; what’s important is that whatever happens throughout the story is both logical and consistent.

Does it make sense that storm trooper armor can be destroyed by primitive, teddy bear arrows?

Is it logical that when Luke is chasing the scout troopers on the speeder, he doesn’t use the force to hold the speeder in place, or fling the scout trooper off the speeder?

“Different only in your mind, Luke”

The force is wielded so inconsistently, it is a severe problem, a detriment to story’s reliability.

It’s extremely important for both writers and editors to be able to recognize these kinds of instances, because if a story has these issues, readers will find them, and they will be very, very upset to have spent their money on dreck.

Now, I know, everyone’s going to get their panties in a wad because I’m badmouthing Star Wars. Everyone’s going to point out that if I’m right, why then was the trilogy such a success?

Well, people like what they like. The movies do look amazing. The first three had a terrific cast, great music, and the whole concept behind Star Wars is the eternal struggle of good against evil, the underdog against the immovable empire, so, okay, Star Wars isn’t the worst trilogy out there, but all the points I made stand on their own.

YOU are not writing Star Wars. YOU are not Spielberg and Lucas. YOU most likely don’t have an entire corporation backing you, helping to market whatever it is that you’re writing, so YOU need to be certain that your story has no issues of inconsistency, suspension of disbelief, or plot holes.

This is especially important for new writers, because they don’t have a solid fan base yet, and there’s no more direct road to failure than starting out by selling a crappy product.

Always consider editing. Always consider hiring an editor. Visit my editing services tab.