Since Quora likes to collapse my answers in an effort to keep me quiet, I’m copying and pasting some of the Quora Q and A’s in which I’ve participated. Here’s a question from Quora.
Question: Do plot holes matter?
Addendum: … noting, of course, that some works of fiction are wonderfully, intentionally plotless.
Answer: Yes. Unequivocally, yes.
Now, I’m not sure exactly what the person who asked this question meant by adding that some great stories have no plot. I don’t know about that. Every story has a plot, but regardless, the point in contention is not the plot itself, but whether plot holes matter.
Yes, plot holes matter.
Nothing says, the author is a dumbass, like a plot hole.
Okay, let’s first consider what a plot is. The plot is nothing more than the main event around which the story is constructed. This means no matter how flimsy or banal, every story that has a beginning, middle, and end has a plot.
What is a plot hole then? A plot hole is an issue which nullifies the reliability and consistency of the plot.
Let’s look at Cujo for instance. I never read the book, but I saw the movie. Yeah, it’s an alright movie, but it’s actually really stupid because the first time your dog acts out the way Cujo did, any sensible human being, who is worried about their family, is going to either put the dog down, take it to a trainer, or let it go, right?
If that monster went to a trainer, what would the trainer suggest? Putting it down, right? End of movie, right? Dumbass plot hole, right?
Cujo has a major plot hole. The story doesn’t make sense in spite of the events that follow.
Yes, plot holes matter. No, they don’t matter at the same intensity for everyone. Yes, plenty of people can get past a plot hole if the other elements of the story are absolutely astounding, and when it comes to movies, often times, especially in the cases of horrors and slashers, we can give the plot a little leeway.
I love the Friday the Thirteenth movies. They are completely stupid, though, but hey, I’m rooting for Jason to kill ’em all.
When it comes to novel writing, however, a plot hole can totally kill the story and force the reader to put the book down and never read another story by that author, especially if the plot hole is blatant and simplistic.
At this point, it becomes important to make a distinction between an actual plot hole and a suspension of belief.
For instance, if I write a story about a zombie hunter, and in this world, the zombies can turn others into zombies with a bite, and I never have the zombie hunter get bitten, it’s a suspension of belief.
Being a good author, if I need to have such a thing happen, I’ll have the zombie hunter wear some protective gear to help with the suspension of belief.
However, if the zombie hunter does get bitten in this story, and he doesn’t turn into a zombie, that’s a plot hole. Wouldn’t you stop reading at that point? Wouldn’t you think I’m an idiot?
Now, there are some cases where such a thing can be repaired further in the story, but here an author has to be intelligent and creative, and all without insulting the intelligence of his the audience.
If, for example, in my zombie hunter story, the hunter is bitten, but doesn’t turn into a zombie, I can then add, a little ways into the plot, that he used to a be chemist, and he knew about the impending, zombie threat, and he actually found a way to immunize himself.
Do you see what I’m saying?
An author must force his characters into untenable situations in order to make them grow and develop, certainly. While writing, and then during the editing process, the writer needs to keep an eye open for holes in the story, though.
You see, readers are supposed to ride beside the protagonist, and learn, and grow, and feel what the characters feel, but a plot hole means the author didn’t take the time, didn’t give the audience enough respect, to properly direct the story. Yes, a writer must also be a director!
What’s worse is that often times an author, a writer, doesn’t hire an editor. An editor, a competent editor, will catch such a plot hole and at least make a suggestion on how to fix it.
When a writer chooses to both ignore the hole, and not hire an editor, and then release the poorly written story to the public, it becomes an insult to readers. This is not a problem specific to self publishing or indie publishing; numerous titles released by the mainstream publishers also have plot holes, so this is appropriately a publishing problem.
This isn’t a problem specific to novel writing, either; numerous movies, T.V. shows, and video games also have plot holes. The publishers of these media are called producers, though, so this is also a production problem, but whatever….
All I can add at this point is the following; readers, read the reviews of whatever it is that you’re buying, not just the 5 star reviews, go and look at the 1 star reviews, too.
Writers, hire an editor, a competent editor. Editing is extremely important. You can learn more about editing here.